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FENDER BROWNFACE CONCERT
1959-1963
Configuration: Combo
Power: 40 Watts
Effects: Tremolo
SCHEMATICS
- Concert 5G12 (59)
- Concert 6G12.(60)
- Concert 6G12-A (60-63)
LAYOUT
- Front Panel: "Normal" In, In, Bass, Treble, Volume - "Vibrato" In, In, Volume, Treble, Bass, Speed, Intensity - Presence, Pilot Light
- Back Panel: Ground Switch, Fuse, Power Switch, Standby Switch, Speaker Jack, Vibrato Jack
CABINET
- Tolex: Pinkish Brown (59-61) Rough Brown (62-63)
- Grill Cloth: Beige Brown (Wheat) (60-61) Oxblood (61-62) Beige Brown w/ Gold Stripe (62-63)
- Logo: Grill Mounted, Flat
- Handle: Brown Dog Bone
- Feet: Chrome Glides
- Corners: Chrome Corners w/ Lip
- Knobs: Brown Barrel
- Hardware: Large Chassis Straps 5 5/8"
SPEAKERS
- Size: 4 x 10
- Impedance: 2 ohms
- Model: Jensen P10R, Jensen P10Q, Jensen C10R or Oxford 10K5 (For more info, check out the Mojotone Replacement Speaker Guide)
21 comments
I worked with a guitarist who played an Esquire and a brown face Concert Amp. He painted this beautiful screaming amp black. He had a great sound with that old Esquire rear pick up and the non-reverb 4×10″ Concert. This was in 1972 so I didn’t know anything about the value of his guitar & amp. Pure Fender! tHOSE WERE THE DAYS. Skip “Alex” Spence, our lead player played through an amp custom built for him. The tech for Moby Grape put together (4) Twin Reverb amps into one monster amp. This pushed (4) 4×12″ custom built speaker bottoms.