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FENDER BASSMAN 20
1982-1983
Configuration: Combo
Power: 18 Watts
Effects: None
SCHEMATIC
LAYOUT
-
Front Panel: In, Volume, Treble, Middle, Bass, Power Switch, Pilot Light
CABINET
- Dimensions: 24 3/4" x 17" x 11 7/8"
- Tolex: Black
- Grill Cloth: Black / White / Silver
- Logo: Grill Mounted, Raised, Chrome & Black, Script
- Handle: Black Strap
- Feet: Chrome Glides
- Corners: Chrome Corners w/ Lip
- Knobs: Black skirted w/ Chrome Center, Numbered 1 - 10
- Hardware: Small Chassis Straps 3 5/8"
SPEAKER
- Size: 1 x 15
- Impedance: 8 ohms
- Model: Eminence
44 comments
The trouble with the Bassman 20 is that it uses a Princeton output transformer, the power transformer is Champ sized. The output transformer is way too small for a Bass amp. You would do better to put a Deluxe Reverb output transformer or something with a bigger core. Once that is done the circuit has to be modified to allow the bass response to pass through the amp. I have removed this stuff only to find out the amp distorted very easily. With a better transformer set and a little modification it would be a better sounding bass amp.
It’s not going to put out as much low end as a ported 15 with a 100 watt head. But it puts out plenty for recording. You don’t need to move much air to get all the bass you need for recording situations. Most engineers roll the bass off pretty substantially also compared to what you hear from an amp. It won’t ever sound like an Ampeg or Mesa, but it’s not supposed to.
The trouble with the Bassman 20 is the transformers. The output transformer is from a Princeton amp and not up for the task of reproducing bass, in fact the amp purposeful rolls off bottom end to stop early distortion.
I traded a 2014 epiphone mini 335 style for mine, extremely happy with the trade.
James, I thoroughly agree with Zach and yourself concerning the amp’s actual worth. I would be pleased to own one no matter how many were made.